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Chapter XXIII
In Chapter 15, Rochester tells Jane about his passion for Céline Varens, a French opera-dancer whom he naively believed loved him. One night, however, Céline arrived home with another man and they mocked Rochester’s “deformities”; Rochester overheard the conversation and immediately ended the relationship.
After the wedding crowd disperses, Jane locks herself in her room and plunges into an inexpressible grief. She thinks about the almost calm manner in which the morning’s events unfolded and how it seems disproportionate to the immense effect those events will have on her life. She prays to God to be with her.
Jane refuses to marry Mr. Rochester because he is already married. Even though his wife Bertha is insane, Rochester cannot legally marry again so long as she lives. As Jane doesn’t want to be a party to a bigamous marriage, she refuses to stay with Rochester, even though she loves him.
35 years
He has a way of making her happy, so she is content with whatever time she has with him. By referring to Thornfield as Jane’s home, Mr. Rochester reveals his genuine desire that Jane should stay. After revealing to Jane that he loves and wants to marry her, Mr.
Although Rochester is Jane’s social and economic superior, and although men were widely considered to be naturally superior to women in the Victorian period, Jane is Rochester’s intellectual equal. …
(He later admits to Jane that he once thought he loved Bertha). As Bertha is insane he cannot divorce her, due to her actions being uncontrollable and thus not legitimate grounds for divorce. Despite not loving her, Rochester attempts to save Bertha from a fire she starts in the house when she again escapes.
Ambiguous ethnicity She is a Creole, the daughter of a white European settler in the West Indies. This was particularly the case for Creole women, who were often depicted as self-willed, decadent and untrustworthy – the very essence of Rochester’s description of Bertha.